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5 Curriculum - description and evaluation
General
In the previous chapters we have looked at the amount of classical teaching to be found in different types of comprehensive schools and under different conditions, and we have described and discussed problems of staffing, resources and internal organisation. All these affect the nature and quality of the work in the classroom, which is the subject of this chapter, based mainly on the work seen in the course of the survey in a limited number of schools where there was a substantial amount of classics teaching. These are not typical of comprehensive schools in general nor do they exemplify every aspect of classical teaching. They do however illustrate a number of important developments in classics teaching and a number of sincere and often successful attempts to solve the problems of presenting the essential values of classics within a new educational environment.
The main constraints, which affect language courses much more than classical studies courses, are:
- time - the need to compress the course into a much shorter space than was once allowed, or indeed is still generally allowed in other types of school;
- the ability of pupils - the presence in Latin and Greek sets of pupils who would formerly have been excluded on grounds of ability, alongside pupils of considerable linguistic competence (and the presence of pupils of a full range of ability in classical studies groups);
- the voluntary principle - the move away from Latin as a core subject, to it being one which is normal for the abler pupils but which they can choose to drop, and subsequently to one which the pupil takes up only by deliberate choice;
- staff - the lack in some schools of teachers with good qualifications in the subject, except perhaps on a part-time or shared basis, and the vulnerability of most classical departments, because of their small size, to the effects of teacher instability.
There are few comprehensive schools where none of these constraints applies and in many they are all present.
Classical teaching is also affected by the concept of education as taking place primarily through the subjects taught rather than in them. This concept (reflected in many comprehensive schools by the presence of such organisational features as directors of studies, faculties, and curriculum committees) places the main emphasis on the total effect of the curriculum upon the pupil, and different subjects are regarded as making varied contributions towards that total effect. It is recognised that there are many aspects of a pupil's development which no one subject can adequately provide for but to which a range of subjects must contribute. The degree of importance awarded to each subject depends on the extent of the contribu-
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tion it is believed to make. The contrasting approach lays greater stress upon the internal discipline of the individual subject and the need to build up a framework of skills and concepts necessary to pass on to successive stages in it. The subject teacher is aware that his subject has general educational value and may be making specific contributions to the pupil's progress in other parts of the curriculum, but he regards these as incidental to his central objectives, though not unimportant. The ideal of the former approach is balanced educational development; of the latter, scholarship. The two are not mutually exclusive, but the nature of the subject courses is likely to be influenced by the weight given to one or the other, and a subject's very presence in the curriculum may depend upon the extent to which its role within the overall curricular objectives defined by the school can be demonstrated. The tension between the two approaches is likely to be felt most in such subjects as classical and other languages where the development of highly specific skills needed as the basis of further progress within the subject may not appear in the short term to make much obvious contribution towards the general educational objectives that have been defined.
Classical studies in years I, II and III
Classical studies can now be found in the early years of sufficient comprehensive schools for it to be necessary to remind ourselves from time to time that of all the forms of classical teaching this is easily the youngest, with barely a decade's growth behind it. During the late sixties the enthusiasm for foundation courses, as they came to be called, was infectious. In particular the universal appeal to the pre-adolescent of many of the myths and legends of Greece so apparent to Kingsley and others a century or more ago was rediscovered at a time when classics badly needed to enlarge its scope across the extended range of ability in the 'new' comprehensive schools. To purvey this wider interest and appeal the classics teacher has had to attempt to acquire a range of skills and techniques not previously demanded of him when teaching classical languages to children of (usually) high verbal ability. Most difficult of all, he has had to widen the aims of his teaching to include the cognitive, aesthetic, and even social development of his younger pupils and to make far-reaching adjustments to a scale of values which traditionally had elevated intellectual rigour and exact scholarship above all others. In this situation some teachers have discovered in themselves surprising versatility and an unsuspected range of skills and resources. Others, less versatile in their own right, have enrolled the specialised skills of co-operative colleagues and found their solution in a team approach. Still more, less confident in their own abilities as innovators, have sought encouragement and support in the classical studies materials prepared by the Cambridge Schools Classics Project and in the handbook of suggestions for teachers which accompanies them.
Inevitably the enthusiastic response of some teachers to new demands has caused them to be over-ambitious. Sometimes the search for a changed or modified role for classics has resulted in an obscurity of aims and uncertainty about objectives in planning courses. Not all teachers have been able to adjust easily to working with a wider range of ability, and expectations have often been
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pitched either too high or too low (the latter, perhaps surprisingly, more frequently than the former). As experience grows, the initial wave of enthusiasm is now beginning to give way to a phase of more critical evaluation of content, methods, standards and achievements and more careful definition of aims and objectives, and it is as a contribution to this process that the following observations are offered.
The basic aim of classical studies is to introduce pupils to particular aspects of the civilisations of Greece and Rome without teaching the classical languages. The process serves as a contribution to a general education and (where circumstances permit) as a foundation for more sophisticated classical studies which may include study of a classical language. The specific objectives quite properly vary from school to school, but all courses aim at the cultivation of some understanding of our cultural ancestry, its more significant ideas and values, and our relationship to it; and the stimulus of creative expression in a variety of media, through contact with material of distinctive character and quality.
In addition, many classics teachers evidently believe that classical studies should help to equip the pupil to understand English literature, or that it can make an important contribution to the skills of verbal communication, especially in imaginative writing. Some see a special educational value in providing contact with some of the artistic movements of the ancient world; others try, through classical studies, to introduce the pupil to the problem of establishing a reliable picture of the remote past from its literary and archaeological remains. The validity of such a concept of classical studies depends on personal values, on general diagnosis of the functions of education in this age group, and on the intellectual and cultural needs of particular groups of pupils. Heads who have introduced or maintained classical studies in their schools vary in their general understanding of the rationale of the subject; some view classical studies as in itself a valuable way of preserving cultural continuity in a comprehensive system, others see in classical studies an opportunity to inject into the curriculum an element which will far outreach the horizons of the pupils' limited environment.
In those schools where classical studies forms part of a humanities course the total time allocation, which may be as much as six periods a week, allows for a fairly spacious approach with opportunities for a range of activities on the part of the pupils. History and religious education, and sometimes also geography, are to be found linked with classics. The syllabus is often broadly chronological. In one school, where geography features in the consortium, the syllabus starts with the Book of Genesis and works through early civilisations to Roman Britain with a degree of prominence given to classical history and mythology. In another, where the link is with religious education and history, the transition from myth to legend and thus to history provides a parallel framework to the purely chronological. In a third the partnership is between the classical and the social and religious education departments, and the topics covered include the Creation, evolution, myth, pre-history, primitive settlements, ancient Egypt, Greece and Rome, and also some reference to modern primitive communities.
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In the team approach, teachers specialising in each of the subjects contributing to the joint course usually each cover all aspects of the course and so for much of the time they are operating beyond their own specialism, though at a fairly modest level. There is clear evidence that this creates difficulties, especially for the less experienced teacher, who may find himself dealing with unfamiliar subject matter or using unfamiliar methods of working within an unfamiliar classroom organisation. Some teams have tackled training implications of this seriously - one, for example, recognising the need for pupils to draw, paint and model within the course, has gained the co-operation of the art department in providing art classes for its members. This is a practice which one would like to see more widely adopted to serve the varied needs of teachers involved in this type of course. The very real advantage of continuity of contact between teachers and class has to be balanced against the disadvantage that generally it is the teacher who really knows his subject who can best communicate his excitement to his pupils.
Another form of team-work enables teachers to work within their own specialisms under the general direction of the classics master who acts as team-leader. In one school for several years a team of specialists in classics, history, drama, art and remedial education - and from time to time also music - has worked together in this way on a first year course. The whole year group meets for the presentation of a piece of classical material (often a myth or legend) by a member of the classics department, and then disperses into groups led by the specialist teachers to develop the ideas thus presented through art, drama, further reading and enquiry, or to use them as the material for developing basic skills in reading and writing. Pupils are exposed to a number of these activities in the course of the year. Integrated courses such as this, depending as they do upon carefully co-ordinated team-work, are particularly vulnerable to changes in staff personnel, and forward planning to counteract these risks is advisable. Carefully considered statements of aims and objectives, helpfully detailed schemes of work and comprehensive cataloguing of resources can all ease a newcomer into his place in the team and mitigate the loss experienced when a key member leaves it.
Where classical studies is not combined with other subjects, it may be part of the history course and taught by the history staff. In this case, Roman Britain will often be a prominent feature of the classical component of the course. However justified such prominence may be for its value in introducing the pupil to an important stage in the development of his own country, he should nevertheless be led to realise that even a detailed knowledge of Roman Britain, which was a small and remote part of the Roman Empire, falls very short of any real understanding of the Roman world as a whole.
Where the course is in the hands of the classics staff, a more literary approach is often followed; the subject matter, especially in the first year, tends to be drawn from Greece and in particular from Greek myth and legend, often related to archaeology and prehistory as in the Cretan myths and the Homeric epics. What has come to be referred to as the 'story-centred approach' dominates this work. It is this approach which has been fostered by the ideas and teaching materials developed by the Cambridge Schools Classics
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Project. A number of schools may be said to be using this approach, but their programmes, teaching methods and resources vary considerably, both in their degree of emphasis on historical topics or imaginative activities, and in their choice of teaching materials. A story is read or (often) told to the pupils and used to stimulate a range of activities including imaginative work in art, drama and writing, and individual or group enquiry, sometimes based on work cards and involving reference to books and other course material. In some instances the quantity and quality of both individual and group work are impressive. For example, a first year class in a lower band had been given some introduction to Crete, at first by story and subsequently with archaeological information, some of it from postcards of high quality; subsequently some of the pupils made copies of objets d'art or architecture with pencil and felt tip pens, some crayoned a mural of the Tauromachia with the outline presented by the slide projector, others wrote on aspects of the story of Daedalus, all showing an obvious pride in their work. The approach has proved effective in a variety of organisational settings including mixed-ability groups, banded groups containing a relatively wide spread of intellectual ability and cultural experience, and remedial groups.
The story-centred approach is to be commended
(i) for its attempt, often successful, to use material appropriate to the pupil's level of experience and sophistication: the myths, which naturally incorporate unrealistic elements recognisable as such by the children, are frequently fascinating and challenging for pupils in this age group;
(ii) for the flexibility it provides: this is important in teaching groups which are likely to have a wide spread of literacy and intellectual ability (and useful especially when pupils are fresh from primary schools), and there can be some adjustment of rational and imaginative content;
(iii) for the range of activities made possible, depending upon accommodation and resources.
All these features help to justify the place of classical studies of this kind in the programme of the early years of the secondary school. Where stimulus and children's interests and response are considered central there is much to be said for the incorporation into the curriculum of such a rich source of ideas and questions, especially when the material belongs to an especially formative period in our own culture.
In the second year there tends to be a swing away from the literary towards a more historical approach, involving the handling and interpretation of evidence and, at the same time, a move from Greece to Rome. New material, produced by the Cambridge School Classics Project team, which is now being tried out in a number of schools, includes games based on the use of epigraphic material, and critical appraisal of original source material for its value as evidence. There is as yet much less experience of this sort of work in comprehensive schools.
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The essential objectives of classical studies courses, and particularly the relative importance of their cognitive and affective ingredients are not always clearly defined, and consequently criteria are lacking on which assessment can be made and progression ensured. As is the case with so much relatively unstructured work of this kind, real difficulty is found in ensuring that the activities have a wide enough range fully to engage the energies of the most able as well as to be within the grasp of the least able. Distinction is not always made between those themes which serve mainly as catalysts for imaginative work and those for the study of which precise understanding and a regard for authenticity are paramount. In both pictorial and written work it needs to be made clear when imaginative anachronisms are permissible and when they are merely misleading. Without specialist knowledge the classics teacher may also find it difficult to assess creative work in drama, art and writing and may accordingly be satisfied with standards that compare poorly with those expected of the same children in the specialist context of these areas of work. Some examples of effective and successful work with remedial groups have been observed, but where classical studies is taught to such groups by someone other than the remedial teacher it is important for the teachers to work in close collaboration. Sometimes work produced by pupils (eg imaginary interviews with gods, articles for classical newspapers) is subject to the danger of triviality, and the sense of wonder sometimes seems to be lost too early. In selecting from the vast range of material available, the interest that different topics are likely to arouse in the children is perhaps too readily accepted as the main criterion. Less universally applied is the test of significance, a term which is not easy to define but which encompasses both those myths and legends which are linked with the universal springs of human behaviour and those events in history that have decisively influenced posterity for good or ill.
The main values of classical studies in the earlier years of the secondary school are first that they stimulate the interest and the imagination of the pupils through contact with material of acknowledged excellence, resulting in an impressive output of original work by pupils in a variety of media; second, that they contribute to the pupils' understanding of important ideas about man and his relationships, which the secondary school tries to introduce in a more systematic way than is appropriate at the primacy stage. There is no doubt of the impact that well-chosen and well-presented classical material often has upon the children; their pleasure is evident and they often show a remarkable grasp both of the details of stories that they have heard and of the issues which they raise in the field of human conduct. Members of other subject departments, especially English and history, sometimes speak appreciatively of the side-effects of such courses on their own work. An encouraging number of the pupils in some schools are asking for the opportunity to learn the languages of the peoples they have been studying.
All this represents a reaction - perhaps even an over-reaction - to the image of classics as being solely concerned with precision, accuracy and instant recall of material learned by heart. It is true that some pupils, especially the able or more mature pupils, are
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being encouraged to think for themselves and to derive their own information from accurate observation of evidence, commonly presented in visual form. However, since the major emphasis of most classical studies courses at this stage is on the affective side, there is a danger that they could consist of no more than a series of unconnected experiences, which, though admirable in themselves, fail to add up to either a coherent body of knowledge or a coherent set of skills and attitudes.
At what for many classics teachers is a highly experimental stage in curriculum development it is natural that objectives should be tentative, and it is perhaps salutary if the teacher can feel free to develop work according to his own diagnosis and talents. However, as classical studies courses become better established in the early years, they need to be more securely based in the educational objectives and long-term goals of the school as a whole, and subjected to a rigorous analysis that might give them clearer direction without taking away the spontaneity which is at present one of their greatest assets.
Classical studies in years IV, V, VI and VII
There appear to be very few non-examination classical studies courses devised for this age group. In the one or two examples seen during the survey, the effectiveness of the course, with pupils of very modest ability and poor motivation, depended far more on the personal qualities of the teacher and his or her relationship with the pupils, than on the intrinsic value of the material or its mode of presentation.
The greater part of examination work at this level seen was in preparation for the Certificate of Secondary Education, generally following a Mode III syllabus. The Ordinary level syllabuses in classical literature in translation (described by a variety of titles) are occasionally followed in the fourth and fifth forms, but seem to be more common in the sixth form as part of a minority programme, where they often appear to be both popular and effective.
The two main elements in CSE Mode III courses are classical literature in translation, and topics of social history, both of these often, though not always, covering both Greece and Rome. Topics include drama and the theatre; home life (including houses, the household and its members); occupations, sports and pastimes; education, religion and mythology; science, politics, art and architecture; and the army, as well as the study of short periods of history, and in particular of Roman Britain. At this stage there is a tendency to focus attention more on the amassing of information for its own sake and less on the means of acquiring the information, and on using it as the raw material for further thought. There are however also good examples of pupils of quite modest ability being encouraged to find out, systematise and interpret facts for themselves and to present their findings in their own way, with some help from individual work cards.
The teaching of classical literature in translation presents a number of problems. The fundamental problem is that of presenting to young people, often of modest ability, a highly sophisticated literature translated for an adult audience. Since in general much Roman literature is designed for a narrower and more sophisticated
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audience than Greek literature, pupils seem to find it difficult. Homer and the Greek tragedians, on the other hand, appear to be among the more accessible of ancient authors. Even so, there is a danger that they are seen through a distorting glass, both because they are read in translation, and because it is difficult for teachers to avoid over-simplifying (and thus adding a further element of distortion) when attempting to convey, for example, the whole concept of Greek tragedy, its place in the Athenian world of the fifth century and the ideas and assumptions of the playwright and his original audience. Simplification there must be, but it is difficult to simplify without loss of authenticity. Some of the literature chosen presents the additional problem of depending for its understanding on a fairly full knowledge of the history of the period, and there is rarely time to do justice to this.
Despite these difficulties, some good work is being done and pupils are being introduced, however imperfectly, to a world of ideas which would otherwise be quite outside their experience.
In a number of schools, classical studies courses in a variety of forms are finding a place in the so-called 'minority' time of the sixth former. Reference has already been made to the O (or AO) courses in classical literature in translation, not infrequently taken by pupils who are studying English literature as one of their advanced level subjects. The level of enjoyment and involvement by pupils in these courses is often very high, and the quality of discussion which arises from the reading is sometimes impressive.
Classics may also contribute to a programme of non-examination general studies. Greek art and architecture is a particularly popular subject, and examples were also found of courses in Greek tragedy, Greek science, and other topics which reflect the particular interest of the staff concerned. These are sometimes modules of one term's length with a time allocation of from two to four periods a week.
At advanced level there is considerable interest in the syllabuses that have recently been developed in classical civilisation by a number of examining boards, but no such course was available at the time of the survey. Groups of pupils studying ancient history tend to be somewhat larger than those taking Latin, and the subject (like classical civilisation) has the advantage, particularly valuable in the sixth form college, that it is not directly dependent upon a foundation laid below the sixth form.
There are, however, problems of presentation, particularly at the present time. Latterly, ancient history has moved away from a position generally subordinated to the study of Greek and Latin and based mainly on the study of textbook material, covering a wide time span in comparatively little depth. As a result of changes of emphasis in recent years teachers have broadened the span of study beyond the political and military aspects which once dominated, to include potentially all other aspects of the classical cultures; they have reaffirmed the need to go back to primary sources (if need be in translation) and in particular to the literature of the periods being studied, and consequently have tended to focus on a narrower time span. The pedagogic implications of these changes are considerable, and it is all too easy to move from excessive dependence upon the textbook to a position where the pupil is plunged pre-
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maturely into a morass of conflicting evidence, which needs to be interpreted and evaluated, before he is properly equipped with the frame of reference necessary for this sophisticated task. The teaching together of two year groups, although beneficial to the pupils in some ways, makes the task the more difficult. Both extremes are to be seen in comprehensive school sixth forms, as well as synthesis of the two approaches adapted to the maturity and understanding of the pupil.
Latin to ordinary level and CSE
The majority of comprehensive schools seem to have adopted one or other of the recent reading-based courses, most often that developed by the Cambridge School Classics Project, as being most suitable for use within the constraints mentioned at the beginning of this chapter, and especially those of time and of the ability range of pupils.
Far less commonly used in England, though very widely used in Scotland where it was developed at about the same time by a group of teachers and others, is Ecce Romani. Both courses are notable for the precision of their objectives, which differ from traditional courses in focusing attention almost exclusively on the comprehension of Latin writing in the context of Roman culture. It so happened that all the schools chosen for intensive visits in connection with the survey were using the Cambridge course, and this section is concerned mainly with their experience.
One 11-18 school visited is giving Latin to all its pupils in the first year, on the grounds that 'there is so little new work which offers a challenge to pupils who enter the secondary school that their promotion is proving an anti-climax with resultant boredom and disciplinary problems'. Latin (it is maintained) provides an entirely new challenge which is also valuable in its own right as well as for its contribution to the pupils' all round language development. The C.S.C.P. material used here, at a slower pace in the lower band than the upper, seems to be proving accessible to pupils over the whole range of ability.
Most schools however start their Latin courses in the second or third year with only a proportion of pupils. A variety of methods and approaches is applied, often very successfully, to maintain interest - no easy task when there is a wide range of ability present, and when on occasion the teacher has to consider how to use a double period to the best advantage. Work is carried out by pupils as a class, in groups or pairs, or individually. Translation is usually preceded by reading of the Latin by teacher and pupils and by the use of leading questions to aid comprehension. The reading itself is in passages of a page or more at a time, or a paragraph or a sentence or even less, the most experienced teachers varying the length and thus the pace frequently. In some cases the 'pattern sentences' which are a feature of this type of course are very thoroughly drilled. The use of tapes and slides, especially of the former, tends to be less common, but a recording of one of the scenes is sometimes used to good effect either as the introduction to a new passage or after its meaning has first been elicited. Similarly two or three slides occasionally make a visual point to consolidate what has previously been treated verbally. Classroom drama is not an easy medium for the teacher to use,
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but it is sometimes effective with dialogue either in Latin or in English. The subject matter of the Latin passage, or the paralinguistic material attached gives rise to class discussion, particularly when Roman and modern parallels occur.
All these, at their best, give a sense of pace and progress, and pupils (especially in the first and second years of their Latin course) often show genuine enjoyment, which is enhanced by their interest in the story and its characters, by their sense of achievement in mastering comprehension of simple Latin with relative ease, and by the immediacy of contact with the Roman world of the first century AD which they feel they are getting.
There are however problems which tend to become more severe in the latter part of the course. Even in the first year of Latin it is clear that many teachers find difficulty in meeting the varied needs of pupils within their teaching groups; able pupils are too often marking time while there may well be pupils (especially immigrants) whose grasp of English is itself far from sound. The solution usually adopted is a rather modest target for the end of the first or second year of the course, which leaves far too much work to be done later. The ease of progress in the early stages sometimes tempts teachers to give too little attention to consolidation, particularly of accidence, and this often causes a feeling of insecurity in pupils in the fourth and fifth forms. Both teachers and pupils sometimes seem content with an unacceptable degree of imprecision in the comprehension of Latin texts, and some pupils find the more literary aspects of the course very demanding, especially if shortage of time has unduly restricted their reading in the later stages of the course material. It is not surprising that teachers often need some time to adjust to the course themselves, especially where it is timed over three years, or over four years with a slender time-allocation. At the end of three or four years the O-Ievel results (despite the generally high level of ability of the pupils who are entered and the hard work and often high level of teaching expertise which they have enjoyed) are often disappointingly low. This fact is at any rate partially accounted for by two related circumstances: selective schools, which supply the majority of candidates for O-level Latin examinations, generally offer their pupils more favourable circumstances for learning the language, particularly as to the amount of time available, and there is considerable evidence (much of it regrettably unpublished) to support the view that the 'severity index' of Latin is much higher than that of most other O-Ievel subjects - in other words that it is much harder to get a pass in Latin. The deterrent effect of these two circumstances almost certainly contributes to the small numbers at present taking Latin in the fourth and fifth years of comprehensive schools. To provide a more realistic examination objective for some of their pupils, a number of schools have devised Mode III CSE syllabuses which enable them to teach both O-level and CSE candidates together for at any rate most of the time. The experiment with a common examination in Latin has shown the value of flexibility, but Latin and non-linguistic courses and syllabuses have not at this stage been developed sufficiently to allow teachers to cater adequately for the full range of ability intended for the ordinary level and CSE examinations.
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Latin in the sixth form
In many of the schools visited teachers were facing for the first time the problem of building satisfactory programmes of A-level work upon the new type of course used up to O level. They were finding that pupils were meeting a different set of difficulties from those which they had successfully coped with in the past and that while in some respects they were arriving in the sixth form better equipped than their predecessors, in others they had a great deal of ground to catch up.
Most teachers seemed to feel that the problems, though unfamiliar, are not insoluble, and that they are likely to diminish, both with greater experience on their part and as a result of some changes of emphasis in the lower school course.
The major difficulty is undoubtedly the lack of a secure knowledge of grammar which pupils themselves in many cases are aware of. Some schools are finding that a formal grammar book at this stage offers a satisfactory framework for the consolidation of accidence. For teaching syntax a variety of methods is being attempted. One school is taking advantage of the greater maturity of the pupils in the sixth form to show syntax not as a static conception but as something which is constantly developing and changing throughout Latin literature. The work here closely follows the spirit of the lower school course; it retains the inductive approach and is based firmly on the pupils' reading. Another makes use of a course book designed for younger children and takes the pupils through it at a brisk pace; the danger of such a method is the undermining of the pupils' self-confidence by implying that they need 'to go back to the beginning'. Whatever the method, some such reinforcement is needed, and the form it takes may depend partly upon the school's decision whether or not to introduce prose composition at this stage. If prose composition is introduced it will certainly be necessary to give practice in handling constructions through translation into Latin. Otherwise it may well be better to study them mainly through examples met and collected in the course of reading. The availability of 'alternatives' to prose composition in the A-level syllabuses leaves the choice to the schools.
A related issue is that of introducing the pupil to the technique of sentence analysis, which is an essential tool if he is to master some of the more complex passages of writing that he will meet. In one school it seemed that the advantages of facility in comprehension that pupils had already achieved were being too readily discarded, to be replaced by the painstaking analysis of every sentence. In another the need to provide the tool appeared not to have been fully recognised. The material for learning to apply a new technique needs to be well-graded initially and this was not always the case. Once mastered, it needs to be seen in its proper perspective as one of the tools to which the pupil may have recourse when reading Latin. It very quickly comes into its own when pupils are introduced to unfamiliar authors, especially those whose style is more periodic than that which they have previously encountered.
The introduction to conventional editions of Roman authors does not seem to cause very much difficulty, though it now becomes necessary to familiarise the pupils with conventional grammatical terminology, if that has not been done previously.
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The very small teaching groups, often consisting of only one or two pupils, create less than ideal conditions for the sixth formers, who lack the stimulus that comes from the expression of different attitudes and points of view by their contemporaries. Discussion under these circumstances is difficult and the work tends to be too teacher centred. The practice of combining first and second years has much to commend it, when only one or two pupils are concerned, but it also creates some additional constraints. It is certainly desirable for the two year groups to be taught separately for part of the week. An element of uncertainty is injected into the sixth form programme by the fact that from year to year there is no assurance that there will actually be any pupil taking Latin.
No doubt all these considerations contribute to the somewhat modest level of attainment generally observed.
Greek
Where Greek appears in the curriculum of comprehensive schools, it tends to be introduced in the sixth form, where, under favourable conditions, able pupils can achieve satisfactory performances at A level after two years' work. Attendance at the annual Greek summer school, organised by the Joint Association of Classics Teachers, can make a valuable contribution to such accelerated courses.
In one of the schools visited, however, Greek has supplanted Latin as the main classical language. In the absence of any existing course book suitable for pupils for whom Greek is their first experience of an inflected language, the classics teacher at the school has devised his own course, which is now being used in a number of other schools. The two main objectives are facility in reading and an understanding of at any rate some aspects of Greek culture. Pupils are enthusiastic about things Greek, and know a good deal about Greek society. They are also very willing to speak Greek aloud and to cope with the admittedly easy level of Greek reading put before them. There is no doubt that in the circumstances of this school and with this teacher the experiment is proving a success. In view of the precarious position of Greek generally in comprehensive schools, the possibility of making Greek the first classical language or (less drastically) of offering Greek and Latin in alternate years deserves consideration, where the necessary teaching skills are present.
Conclusion
Classics teaching has moved a long way from the time when classics courses were geared to the task of training potential scholars. Much remains to be done. The rationale of classical studies courses needs to be developed and clarified. The new type of Latin course must be shown to provide a basis for the training of the future scholar as well as offering a nourishing ingredient to the diet of the non-scholar. Ways of making Greek more generally available must be explored, through the development of new styles of course. Furthermore, all this needs to be done in such a way that essential standards are maintained and in fact strengthened. Nevertheless the experience recorded in this chapter suggests that, whatever organisational problems restrict the availability of classics in comprehensive schools, many of the educational problems have been solved or are on the
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way to solution. In a number of comprehensive schools classics is making a substantial contribution to the general education of a majority of pupils, in addition to fulfilling, though in new ways and for a wider clientele than in the past, its more traditional role of offering a more demanding educational experience to the more able.
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Appendix A: sampling error
In January 1973 there were 1,798 comprehensive schools in England and Wales, not counting those with an upper age limit of 13 or less. The survey covered 309 taken at random. Naturally, the schools selected will not have been exactly representative of all comprehensive schools in every characteristic, and any other random selection of the same size, but consisting of different schools, would have resulted in different figures appearing in the tables. The following table shows (for various numbers of schools that are recorded in the results of the survey) ranges that are 90 per cent certain to include the number of schools that would have been obtained from an exactly representative selection.
Ranges associated with numbers of schools in the survey
Example 1
Table 1 shows that the survey included 41 schools with under 600 pupils teaching no classics. The range associated with this figure is about nine, so there is a 90 per cent probability that an exactly representative selection of schools would have yielded a figure between 32 and 50.
Percentages shown in the results are also subject to this kind of uncertainty, the ranges depending upon the bases of the percentages.
Ranges associated with percentages in the survey
Example 2
Table 1 shows that 51 per cent of the 127 schools reorganised in 1968 or earlier taught classics, as did 48 per cent of the 168 schools reorganised in 1969 or later. The ranges associated with these two percentages are about 7 per cent and 6 per cent respectively. There is a 90 per cent probability that an exactly representative selection
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would have yielded percentages between 44 per cent and 58 per cent and between 42 per cent and 54 per cent respectively.
Significant differences
Two percentages derived from the survey are significantly different, in the statistical sense, only if, when the two associated ranges are squared and added together, the square root of the result is less than the difference between the two percentages.
Example 3
From Example 2, the sum of the squares of the ranges is 36 + 49 = 85. The square root of this is about 9, whereas the difference between the percentages (48 and 51) is 3. Since 9 is greater than 3, the percentages are not significantly different at the 90 per cent level.
This type of calculation can be repeated for any percentages where numbers of schools is the basis of the percentage.
Bias
The sample was roughly representative of all comprehensive schools so far as regional distribution goes, with only slight bias towards larger schools and mixed schools.
[page 63]
Appendix B (1)
[page 65]
Appendix B (2)
[page 67]
Appendix B (3)
[page 69]
Appendix B (4)
[page 71]
Appendix B (5)