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Appendix 5 Sources of evidence
Organisations, associations, institutions and other bodies which submitted evidence
Almondbury High School, Almondbury, Huddersfield
Association for Science Education
Association of County Councils
Association of Teachers of Mathematics
Berkshire Local Education Authority
Book Marketing Council
Book Trust
British Film Institute
BFI/DES National Working Party for Primary Media Education
Birmingham Local Education Authority
Brighton Polytechnic, Faculty of Education
British Broadcasting Corporation, Educational Broadcasting Services
British Dyslexia Association
Centre for Development in Education Overseas, University Newcastle upon Tyne
Centre for English Language Education, Department of English Studies, The University of Nottingham
Cheshire Local Education Authority
Clwyd Media Studies Unit, Clwyd County Council
Mrs P A Cooper, Head Teacher and Mr D Kelly, Head of English, and members of staff of William Brookes School, Much Wenlock, Shropshire
Cumbria Local Education Authority
Mrs L A Dearman, Moor End High School, Huddersfield, West Yorkshire
Defining Dyslexia
Derbyshire Local Education Authority, Advisers Office
Drama Curriculum Development Task Group, Newcastle upon Tyne
EPIC Europe, Education Policy Information Centre
The English Centre, Ebury Teachers Centre, London
English Teachers in University Departments of Education
Mr K Fitzell, Head of English, The Emmbrook School, Wokingham, Berkshire
Mrs D J Gawthorpe, Head Teacher and Mr Paul Close, Head of Department, and members of staff of Priory School, Landwood, Barnsley
Mrs D J Gould, Head Teacher and Miss Geraldine Purcell, Head of Department, and members of staff of Mulberry School, London
Heinemann Educational Books Ltd
Inner London Education Authority, Primary Inspectorate
Inner London Education Authority, Centre for Language in Primary Education
Inner London Education Authority, English Advisory Team
Journal of Educational Television, The Television Literary Project, Humberside
Knutsford County High School
The Language Reading Team, INSEC, London Borough of Newham
Language Variety Working Party c/o Birmingham Oracy Project
Liverpool Institute of Higher Education
London Borough of Barking and Dagenham, Advisory and Inspection Service
London Borough of Croydon, Education Department
London Borough of Enfield
London Borough of Merton, Education Department
London Borough of Waltham Forest
Macmillan Assessment, Macmillan Educational Limited
Martineau Education Centre Birmingham
Mathematical Association
Merton Association for the Teaching of English
Mrs E Morgan, Acting Head Teacher and Mrs Ruth Harker, Head of English, and members of staff of Holte School, Birmingham
National Association for Remedial Education
National Association for the Teaching of English
National Association of Advisers in English
National Association of Advisory Officers for Special Education
National Association of Inspectors and Educational Advisers
National Association of Teacher Educators and Advisers in Media Education
NATE Computer Working Party
National Confederation of Parent-Teacher Associations
National Conference on the Teaching of Poetry in Schools
National Council for Special Education
National Foundation for Educational Research, Centre for Research into Language And Communication
Norfolk Oracy Project
North East Association for the Teaching of English
Northamptonshire Advisory Team, Northarnpronshire Local Education Authority
Northern Examining Association, Joint Matriculation Board
Nottinghamshire Local Education Authority, Advisory and Inspection Service
Oxford Development Education Unit, on behalf of a consortium of non-governmental organisations concerned with overseas development
Padgate County High School
Paired Reading Project, Huddersfield
Professional Association of Teachers
Queen's English Society
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The Royal Society for the Prevention of Accidents
School Curriculum Development Committee, National Oracy Project
School Curriculum Development Committee, National Writing Project
School Library Association
Shakespeare and Schools, Cambridge Institute of Education
Sheffield Local Education Authority
Mr K Roberts, Head of English, Shelley High School, Huddersfield
Shevington High School, Widnes
Simplified Spelling Society
Society for Education in Film and Television Limited
Society of Education Officers
Solihull Metropolitan Borough Council, Education Department
Somerset Education Centre
Somerset Local Education Authority, Education Department
Southern Examining Group
TEAME, c/o Media Studies Section, Joint Department of English and Media Studies, University of London Institute of Education
Thames Television
TVEI, A3 Training Agency, London
United Kingdom Reading Association
The University of Birmingham, School of Education
University of Cambridge, Department of Education
University of Exeter School of Education, Arts Education Forum
University of London Institute of Education, English Department MA Students
University of London Institute of Education, Joint Department of English and Media Studies
University of London School Examinations Board
University of Reading School of Education, Council for Environmental Education
University of Reading School of Education, Reading and Language Information Centre
Welsh Joint Education Committee
Mr C White, Great Sankey County High School, Great Sankey,Warrington
Whitley Abbey Secondary School, Coventry
Willows High School, Morden, Surrey
Wilmslow County High School
Individuals who submitted evidence
Dr Clem Adelman, The Research Centre, Bulmershe College of Higher Education
MrsJoan Baker, Ms Shirley Davis and Ms Barbara Hubberstey, teachers, Cestreham County Secondary School, Chesham, Buckinghamshire
Ms Jo Balcombe, Head of Redbridge Drama Centre
Mr Geoff Barton, English teacher, Leeds
Dr Roger Beard, Lecturer in Primary Education, School of Education, University of Leeds
Dr Catherine Belsey, Lecturer, University of Wales College of Cardiff
Mr John Blanchard, Dorset County Assessment Unit, Dorset County Council
Ms Jill Bourne, Research Officer, Department of Language, National Foundation for Educational Research
Mr John Boyland, Drama Adviser, Cambridgeshire
Dr Ronald Carter MA PhD MIL, University of Nottingham
Jean-Claude Chevalier, Universite Paris 7, Unite de Formation, Et De Recherches Linguistiques, Paris
Ms Gillian Clark, Llandyssul, Dyfed
Mr Leo Corcoran, Stockport, Cheshire
Mr David Corson, Education Department, Massey University, New Zealand
Mr B Cunningham, Advisory Teacher for English in Derbyshire
Ms Helen Davitt, London
Mr Doug Dennis, Director of Studies, Worcester College of Higher Education
Mr John Dixon, ex English teacher, London
Dr Henrietta Dombey, Department of Primary Education, Brighton Polytechnic
Mr Philip Drummond and Mr David Buckingham, Lecturers, Joint Department of English and Media Studies, University of London Institute of Education
Ms Kate Frood, MA Student, Department of English, University of London Institute of Education
Mrs Sue Galloway, on behalf of a group of primary school language consultants from North East Hampshire
Mr B Gardner, Miss L Larman, Miss J Leach, Mrs S Watson of the Bradford and Humberside joint project under the Education Support Grant for educational needs in multi-ethnic society
Dr Caroline Gipps, University of London Institute of Education
Professor Harvey Goldstein, University of London Institute of Education
Ken Gouge, Adviser for the Performing Arts, Wigan
Alison Grainger, Senior Lecturer in Drama, Westminster College, Oxford
Professor Terence Hawkes, Department of English, University of Wales College of Cardiff
Dr Roger Hewitt, Department of Sociology of Education, University of London Institute of Education
Mr Brian M Hogarth, County Road Safety Officer, Lincoln
Ms Sue Homer, Curriculum Development Officer for English, Sheffield Local Education Authority
Ms Guizar Kanji, Acting Senior Staff Inspector/Primary, Inner London Education Authority
Mr Neil Kitson, Northamptonshire Advisory Team
Ms Rosemary Leeke, Head of English and Ms Naela Akharware, Tamworth Manor School, Mitcham, Surrey
Ms Josie Levine, Senior Lecturer in Education, Joint Department of English and Media Studies, Institute of Education University of London
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Mrs S Lloyd, Woods Loke Primary School, Lowestoft, Suffolk
Mr David Mace, Author, Galgate, Lancaster
Mr Len Masterman, School of Education, University of Nottingham
Mr P J May, Head of English and Communication, Hawarden High School, Clwyd
Mr Frank McCombie, teacher, King Edward VI School, Morpeth, Northumberland
Dr W H Mittins, Newcastle upon Tyne
Ms Marion Molteno, Tutor Organiser, Croydon English Language Scheme
Professor Christopher Norris, University of Wales College of Cardiff
Mr David Orme, Schools Poetry Association, Twyford School, Winchester
Keith Palmer, Senior Lecturer in Drama in Education, Rolle Faculty of Education, Polytechnic South West
Ms Mary Picardo, Language Co-ordinator, Mount Pleasant Primary School, West Midlands
Mr Robert Protherough, Senior Lecturer, The University of Hull
Professor Sir Randolph Quirk, President, The British Academy
Dr M B H Rampton, West Dean, West Sussex
Mr Malcom Ross, University of Exeter, School of Education
Ms Wendy Selby, Cornwall
Chris Threlfall, BFI/TASC Adviser for Media Education, Trinity and All Saints College, Leeds
Mr AJ Tinkel MA, The Oratory School, Woodcote, Reading
Ms Barbara Tizard, Director, Thomas Coram Research Unit, Coram's Children's Centre and Adoption Project, London
Mr Mike Torbe, Educational Adviser for Coventry
Mr J L Trim, ex-Director of the Centre for Information on Language Teaching and Research
Professor Peter Trudgill, Department of Language and Linguistics, University of Essex
Ms Hazel Underwood, Infant Teacher, Hamsey County Primary School, East Sussex
Mr T Watkins, Head of English Division, Bulmershe College of Higher Education
Professor A M Wilkinson, School of Education, University of East Anglia
Mr Eric Williams, Adviser for English and Drama, Avon Local Education Authority
Mrs Joyce Worley, Sunderland, Tyne and Wear
Evidence from individual members of H M Inspectorate
HMI Mr D J Allen
HMI Mrs C M Bond
HMI Mr M J Convey
HMI Mr D A Denegri
HMI Mr D J Halligan
SI Mr D G Labon
HMI Mr J W F Learmonth
HMI Mr S J A Rogers
HMI Mr J R Williams
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Appendix 6 Approaches to the "class novel"
The following table, from which we have made selections, was produced by a Heads of English Group from Northamptonshire LEA. (1) The table outlines a number of approaches to the class-sharing of a novel. They are designed to reflect the purpose and nature of teaching literature in the shared context of the "class-reader". They concentrate on forms of response and interaction with the text that are characteristically different from forms that a reader might use in tackling a text privately. The overall purpose is to bring readers into active participation with the text, and to promote the text as a rich and vital source of meaning, which can be related to the needs, interests, purposes and motivations of the group as developing individual and social beings.
The approaches are framed in such a way as to recognise the levels at which a fictional text operates and to aid groups of readers in becoming aware of these levels, whilst accepting that in a mixed ability class there will be different degrees of appreciation and understanding:
- narrative: being aware of the story, particularly how it is sequenced; being able to follow the book at the level of its story;
- symbolic: being aware of what the story stands forthe universal meanings, and circumstances illustrated by the particular narrative; being aware of the metaphors and imagery used in the construction of the narrative and the descriptive passages;
- stylistic/linguistic: being aware of the "crafting", particularly the structuring of the book, selection of literary devices and vocabulary, use of syntactic conventions; developing a critical awareness of the relationship between form and content.
It should be stressed that the approaches which follow should be seen as complementing other forms of reading activity, including pupils' independent reading and structured classroom discussion. This idea is developed in chapter 16: Reading.
(1) Kate Buttler, Tony Buttler, Liz Gifford, Simon Langley, Clare Matthews, Brendan Mulcahy, Jonothan Neelands, David Pryke, Maurice Quirke, Mary Rich, Carol Sanderson.
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APPROACHES TO THE CLASS NOVEL
Approaches | Methodology/examples | Learning features |
1 Author's visit | Real visits arranged through "writers in school" scheme, or imagined as in framing questions to ask the author or in correspondence with author. | Access to a professional writer. Seeing text in the writer's terms, readers communicating directly with writer, with texts as middle ground. |
2 Reading logs | Exercise book or folder containing rough jottings, reflections, personal connections, reviews, in relation to books read in class and in private. | Developing personal responses. Valuing the reader'sjudgements and insights into text. Providing a cumulative record of reading experiences; developing leamer's autonomy. |
3 Cloze | An extract represented with deletions in text in order to focus on author's style and vocalv dary. In groups class make suggestions about deleted words by drawing on their understanding of style and language used in text so far. | Highlighting stylistic/linguistic features of text, drawing attention to syntax. Encouraging hypothetical/speculative talk as well as problem-solving activity. Developing reflective awareness of how a text is constructed, encouraging awareness of selection and alternatives. |
4 Prediction | Formal: extract is "cut up" into sections, groups speculate on what's going to happen in next section by reference to text in section before. Informal: breaking the reading in order to invite speculation on where the narrative is going. | Confirming and giving confidence in leamer's existing sense of story. Developing logical sequencing skills. Encouraging close reading and awareness of contextual clues; to provide evidence from text. |
5 Active comprehension | Groups frame their own questions about a passage and select key question to explore as a group or to offer to rest of class. | Developing ability to frame appropriate questions. Encouraging readers to adopt an active, interrogative attitude to the text. |
6 Spider diagrams | To map out ideas, further questionsrelating to key question, or factors affecting a key event; or relationships between central characters and other characters; or relating events to central theme. | Finding patterns and relationships of meaning in a complete text. Drawing attention to structure and form; identifying themes and issues underpinning the text. |
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Approaches | Methodology/examples | Learning features |
7 Maps | Representing journeys or a particular environment - building, street, etc. Whole wall maps with room for quotations, pictures, events to be pasted on to form spatial relationships. | Making the text "concrete". Visualising the text. Awareness of structure, developing sense of place. Tracking events. Matching events to places. |
8 Family trees | Particularly when many characters are involved in narrative. "Tree" may represent blood ties, may have theme to do with who knows who; how people have met; what interests they serve or promote, etc. | Aiding the reader. Providing a structure to facilitate reader's progress with text. Holding the structure of the book; looking for relationships in the text. |
9 Storyboard for TV/film | Series of drawings representing the way the camera would portray an event or passage from the bookcamera angles, close-ups, long shots etc. | Translating from one medium to another, working in familiar forms; selectivity of symbol. Matching images to event. Enabling reader to "realise" perspective on the text. |
10 Advertisers | Promoting the book "as if" the group were advertisers - choosing what to highlight about the book; target audiences, form of advertising, bookshop posters, jacket illustrations, blurbs, etc. | Developing critical awareness. Highlighting concepts of audience, register, writer's intentions, etc. selecting appropriate symbols, images, quotations, "marketing" literature, providing motivation and sustaining interest. |
11 Illustrators | Working "as if" illustrators to discuss or execute illustrations of text, jacket covers, etc. Emphasis on matching form of illustration to sense of text. | Working as "experts" rather than as learners. Emphasis on style and atmosphere of text. Selecting events or moments to capture. Justifying and making decisions in relation to how the text should be represented. Close reading. |
12 Casting directors | What sort of actor would have the right "image" for the character in the book - tall/short; assertive; young; deep voiced, etc? | "Filling out" characters. Making inferences. Stereotypic/original interpretations. Collective image of how a character would appear. Dwelling on aspects of character. |
13 News | Incidents from the story written as news; front pages with a composite of stories relating to central event. Emphasis on reporting from outside the event; what should be selected as "news". | Translating events into familiar forms. Popularising the text. Reporting and journalistic conventions. Creating a distance between characters' perceptions of events and the readers'. |
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Approaches | Methodology/examples | Learning features |
14 Investigative journalism | In form of a documentary exposing an issue, or presenting an issue that is important in the book - maybe a number of related items drawing on background material beyond that offered in text; public inquiry, expose, etc. | Emphasising issues in book. Relating text to other material dealing with same theme. Presenting, selecting, arranging material. Authorial intention and bias. Airing values, making judgements. |
15 Diaries or journals | Written "as if" by characters in book, reflecting their reactions to events of the narrative. Daily diaries, log of a journey, prison journals or extra instalments for journals and diaries that appear in the story. | "Personalising" the characters and events. Imagining what people and events would be like. As an aid to reflection, filling out the text. Active participation with narrative. |
16 Time line | Representing temporal relationships between events, places, characters, etc, as a linear sequence. Events in a character's life, frequency and proximity of events within time span of book. | Drawing attention to sequencing and structure. Establishing cause and effect relationships. Providing a framework of book's events for quick reference. |
17 Alternative narrators | In groups, re-telling events from point of view other than that used by author - peripheral characters; third person, first person. Carrying on the re-telling in a variety of different registers, etc. | Highlighting characterisation. Offering fresh perspectives on story. "Playing" with text. Demonstrating relationships between viewpoints and attitudes. Emphasising selectivity of style and language in the original form. |
18 Costume, set design | Deciding on how a character, or groups of characters, should be costumed, including personal props. Or how a set should be designed for a particular event or place in the text. Designs discussed, illustrated, made, or written as notes. | Dwelling on aspects of character and awareness of descriptive imagery. Making people and places more concrete and immediate. Attention to detail and contextual clues. Establishing a cultural context. |
19 Correspondence | Writing letters from characters to imagined people outside the text, or between characters, or between peripheral characters about behaviour or personality of a central character. | Becoming actively involved with the people and events in text. Demonstrating comprehension of aspects of characters. Commentating on text as a reader but from viewpoint of the characters. |
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Approaches | Methodology/examples | Learning features |
20 Waxworks, still images, photos | Group work to produce tableaux representing gesture, spatial relationships, body language at a particular moment, or to illustrate a quote; others can guess which moment or line is being presented and why. | Freezing action to allow time for detailed discussion and reflection on the significance of the selected moment. Allowing a greater variety of forms of communication to represent group's "meanings", beyond verbal forms. Develops "Iconic" creativity and response. |
21 Alternative chapters | Planning in talk or writing "missing chapters" that fill out the original, or foreground peripheral characters not present in the central events. | Developing sense of alternatives and emphasising role of writer. Matching new material to existing forms in text - vocabulary, syntax, register, conventions, etc. |
22 Springboarding | Fiction is used as a starting point and focus for detailed analysis of an important issue. Fiction compared against factual material relating to the issue, or in comparison with other fiction which has an alternative bias on the issue. | Book used as a starting point for issuebased teaching. Story helps to personalise the issues and allows for effective response to issue. Developing empathy for characters faced with an issue from a different perspective to reader's eg disability, race, gender, poverty, etc. |
23 Soundtracking | In groups, composing and performing sounds to accompany a sequence of action or to establish a sense of place. | Emphasising descriptive imagery. Matching non-verbal form to sense of text. Developing sense of "atmosphere" and the "environment" of the book. |
24 Thought-tracking | Creating "interior speech" for each character at critical moments or in crucial passages of dialogue. Contrasting inner dialogue (what is thought) with outer dialogue (what is said). | Encouraging reflective awareness of characters' feelings and thoughts. Recognising characters' relationships with others. Making inferences. Bringing readers into closer, more active participation with events and characters. Encouraging readers' insights into character. |
25 Visual interrogation | Drawing introduced as a means of making sense of a problematic passage. Building an image from clues in text. Accurately portraying textual description. Collective drawing. Representing negotiated consensus of how some thing, place, or person, would appear. | Using alternative iconic form to gain access to the text. Discovering from others as a result of mutual activity. Matching intuitions and hunches to what's actually represented in the text. Accessible form for less able reader. |
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Approaches | Methodology/examples | Learning features |
26 Starting in the middle | As a way into book, or introduction to new section - a message, letter or fragment of text is presented and group asked to build speculations as to meaning, context, consequence. | Motivating readers' interest prior to reading of whole text. Encouraging intuitive speculation about narrative, characters, style. Extending range of possibilities offered by text. Looking for clues, problem-solving activity. |
27 Cultural contexts | Reconstructuring and inferring a broader cultural context for characters or events, type of housing, likely occupations, cultural pursuits, class/ gender attitudes - how far are the events and characters socially constructed? How would a change of cultural context affect the effects? | Identifying social and cultural pressures and influences on characters and events. Identifying cultural and social assumptions underpinning book. Identifying authorial bias, purpose and intention. Filling out the world of the book. Testing credibility of book's context, examining stereotype and social cliche. |
28 Meetings, courts, inquiries | Improvised re-enactments of crucial meetings in story, or imagined meetings to deal with issues or events in story, or as post-mortem to events, or to establish motivations, consequences as in court case. | Bringing readers into active participation with text. Examining pressures and conflicts affecting decisions in book. Examining cause and effect relationships. |
29 Hot-seating | Individually, or collectively, taking on role of a character to answer questions posed by rest of group, who may also have a role, eg detectives, scientists, etc. | Highlighting character's motivation and personality disposition. Encouraging insights. Making readers participants in the action. Encouraging reflective awareness. |